
audiobook
by Gustav Kobbé
Transcriber's Notes
The Complete Opera Book The Stories of the Operas, together with 400 of the Leading Airs and Motives in Musical Notation By Gustav Kobbé
FOREWORD
ILLUSTRATIONS
The Complete Opera Book
Schools of Opera
Opera Before Gluck
Christoph Willibald Gluck (1714-1787)
Wolfgang Amadeus Mozart (1756-1791)
Ludwig van Beethoven - FIDELIO
First published in 1919, this classic reference brings together the plots of the great operas and the most recognizable melodies presented in clear musical notation. Concise synopses guide listeners through each work’s dramatic arc, while the included excerpts let you hear the moments that have defined the repertoire for generations. The volume is richly illustrated with portraits of legendary singers and historic stage photographs, giving a vivid sense of the opera world at its golden age.
Prepared from the original edition, the text retains Gustav Kobbé’s meticulous scholarship, with modern corrections clearly marked for the attentive reader. Interactive notes let you hover over flagged passages to see explanations, and each annotated score is paired with a downloadable MIDI or MP3 so you can compare the written line to the actual melody. This combination of narrative, visual, and aural material makes the guide a handy companion for both seasoned aficionados and newcomers exploring the art form.
Full title
The Complete Opera Book The Stories of the Operas, together with 400 of the Leading Airs and Motives in Musical Notation The Stories of the Operas, together with 400 of the Leading Airs and Motives in Musical Notation
Language
en
Duration
~25 hours (1479K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Charlene Taylor, Linda Cantoni, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2012-08-19
Rights
Public domain in the USA.
Subjects

1857–1918
Best known for a landmark guide to opera, he helped generations of listeners find their way into the art form. His writing brought music criticism and opera appreciation to a broad American audience at the turn of the 20th century.
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