
THE CLIFF-DWELLERS - A Novel - BY - HENRY B. FULLER - ILLUSTRATED BY T. DE THULSTRUP - THE GREGG PRESS / RIDGEWOOD, N. J. - 1898
Cecilia Ingles
ILLUSTRATIONS
"'We are living upon Pine Street.'"
"Two young girls entered."
"'I shall marry Russell,' she declared."
"A door opened suddenly, and her brother Burt came in."
He found a place in a quiet corner.
"'We have come to take our girl back home.'"
"'Isn't it pretty late for Dolly?'"
In a city where the streets have become towering canyons of brick and stone, everyday traffic wears the avenues deeper, measuring progress in stories rather than miles. The narrator paints Chicago as a wild, crag‑filled landscape, its lofty façades and tangled telegraph lines forming a treeless, arid country of commerce. Within this urban canyon, daily life teeters between the ordinary and the precarious, setting a vivid backdrop for the characters who call it home.
Cecilia Ingles navigates this bustling world with a mix of determination and uncertainty, caught between her own aspirations and the expectations of family and friends. She declares intentions of marriage, watches heated arguments unfold, and finds herself drawn into a small courtroom drama that threatens to upend her plans. As the streets hum with the rush of carts and carriages, her story begins to echo the larger tensions of a city forever reshaping itself.
Language
en
Duration
~6 hours (389K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Clare Graham and Marc D'Hooghe at Free Literature (Images generously made available by the Internet Archive.)
Release date
2018-08-27
Rights
Public domain in the USA.

1857–1929
A sharp-eyed Chicago novelist, he helped turn the fast-growing modern city into serious American fiction. His best-known work, The Cliff-Dwellers, is often remembered as an early landmark of the urban novel.
View all books
by Henry Blake Fuller

by Henry Blake Fuller

by Henry Blake Fuller

by Henry Blake Fuller

by Vinceslas-Eugène Dick

by Philippe Aubert de Gaspé

by Royall Tyler

by Abraham Cahan