
audiobook
by C. Vincent Patrick, W. Whately (Walter Whately) Smith
I.—Introductory
II.—Historical
III.—Fraud
IV.—Spirit Photographs Obtained by Amateurs
V.—The Fairy Photographs
VI.—The Reliability of Witnesses
VII.—The Value of Recognition
VIII.—Recent Literature
IX.—Real Test Conditions
From the outset, the author treats the enduring allure of spirit photography as both a cultural curiosity and a potential scientific goldmine. He lays out why the supposedly objective nature of photographic plates makes them attractive to researchers, yet he quickly points out that the very conditions of séances invite deception at every stage. The introductory section balances an open willingness to be convinced with a clear demand for rigorous, fraud‑free evidence.
The core of the work systematically catalogues the many tricks that can produce ghostly images, from subtle manipulations of light to elaborate plate handling techniques performed while the sitter is immobilised. By weaving together contemporary accounts, psychological insights, and technical explanations, the author shows how easy it is for even earnest believers to be misled. Listeners are left with a compelling framework for judging any claimed supernatural photograph on the basis of hard facts rather than sentiment.
Language
en
Duration
~2 hours (121K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by deaurider, David E. Brown, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Feb 9, 2020
Rights
Public domain in the USA.
Known for gritty, streetwise stories of hustlers and mobsters, he brought a vivid New York edge to both novels and screenplays. His best-known books, The Pope of Greenwich Village and Family Business, were both adapted for the screen by their author.
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1892–1947
A British psychical researcher who tried to study the paranormal with a scientist’s mindset, he is best remembered for writing about telepathy, mediumship, and the possibility of survival after death. His work sits at the curious crossroads of psychology, philosophy, and early twentieth-century psychic research.
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