The Brain and the Voice in Speech and Song

audiobook

The Brain and the Voice in Speech and Song

by F. W. (Frederick Walker) Mott

EN·~2 hours·18 chapters

Chapters

18 total

BY F.W. MOTT, F.R.S., M.D., F.R.C.P.

0:03

PREFACE

1:51

ILLUSTRATIONS

1:05

THE BRAIN AND THE VOICE IN SPEECH AND SONG

0:33

THEORIES ON THE ORIGIN OF SPEECH

11:43

THE VOCAL INSTRUMENT

9:48

I. THE BELLOWS

11:33

II. THE REED

19:47

III. THE RESONATOR AND ARTICULATOR

18:39

PATHOLOGICAL DEGENERATIVE CHANGES PRODUCING SPEECH DEFECTS AND WHAT THEY TEACH

3:51

Description

The author sets out to demystify how we produce speech and song, guiding listeners through the anatomy of the vocal instrument with clear explanations and helpful illustrations. You’ll hear about the bellows of breath, the reed‑like action of the larynx, and the resonating cavities that shape tone and timbre, all described in language that avoids unnecessary jargon. By linking each part of the system to its function, the book offers a vivid picture of how the body turns air into sound, whether whispered or soaring.

Turning to the mind, the second part explores how the brain controls and refines that vocal machinery. It examines the localisation of speech centres, the relationship between handedness and language, and early theories on the evolutionary roots of spoken communication. The discussion of pathological changes and rare cases of deafness adds a practical dimension, making the material useful for both curious listeners and teachers of voice production.

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Details

Language

en

Duration

~2 hours (137K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Newman and PG Distributed Proofreaders

Release date

2004-08-03

Rights

Public domain in the USA.

Subjects

About the author

F. W. (Frederick Walker) Mott

F. W. (Frederick Walker) Mott

1853–1926

A pioneering British physician and neuropathologist, he helped bring laboratory science into the study of mental illness. His work on the brain, shell shock, and the causes of nervous disease made him an important figure in early modern psychiatry.

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