
audiobook
by F. W. (Frederick Walker) Mott
BY F.W. MOTT, F.R.S., M.D., F.R.C.P.
PREFACE
ILLUSTRATIONS
THE BRAIN AND THE VOICE IN SPEECH AND SONG
THEORIES ON THE ORIGIN OF SPEECH
THE VOCAL INSTRUMENT
I. THE BELLOWS
II. THE REED
III. THE RESONATOR AND ARTICULATOR
PATHOLOGICAL DEGENERATIVE CHANGES PRODUCING SPEECH DEFECTS AND WHAT THEY TEACH
The author sets out to demystify how we produce speech and song, guiding listeners through the anatomy of the vocal instrument with clear explanations and helpful illustrations. You’ll hear about the bellows of breath, the reed‑like action of the larynx, and the resonating cavities that shape tone and timbre, all described in language that avoids unnecessary jargon. By linking each part of the system to its function, the book offers a vivid picture of how the body turns air into sound, whether whispered or soaring.
Turning to the mind, the second part explores how the brain controls and refines that vocal machinery. It examines the localisation of speech centres, the relationship between handedness and language, and early theories on the evolutionary roots of spoken communication. The discussion of pathological changes and rare cases of deafness adds a practical dimension, making the material useful for both curious listeners and teachers of voice production.
Language
en
Duration
~2 hours (137K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Newman and PG Distributed Proofreaders
Release date
2004-08-03
Rights
Public domain in the USA.

1853–1926
A pioneering British physician and neuropathologist, he helped shape early scientific thinking about the brain, mental illness, and the biological roots of disease. His work connected laboratory research with psychiatry at a time when both fields were changing fast.
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