The Book of Ballads Eleventh Edition, 1870

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The Book of Ballads Eleventh Edition, 1870

by Sir Theodore Martin, William Edmondstoune Aytoun

EN·~3 hours·110 chapters

Chapters

110 total

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Original Size - THE BOOK OF BALLADS - By Various - Edited by BON GAULTIER

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Illustrated by DOYLE, LEECH, CROMQUILL

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Eleventh Edition 1870

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Original Size

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Description

Step into a lively tapestry of medieval song, where brave knights, daring maidens, and distant courts clash in rhyme and rhythm. The collection opens with a spirited encounter at a Moorish well, as a Christian count and a desert maiden trade wits, broken pottery, and daring kisses. Their playful rivalry sets the tone for a series of vivid, sing‑song narratives that echo the passions and politics of 15th‑century Iberia.

Later verses shift to the grim cell of Don Fernando Gomersalez, a captive noble whose legend grows amid the clamor of Moorish festivals and the looming threat of battle. Through brisk, alliterative couplets the poems capture the clash of cultures, the weight of honor, and the stubborn hope that burns behind every warrior’s eyes. Listeners will find themselves carried by the cadence of ancient ballads, each one a window onto love, bravery, and the timeless dance of conflict.

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Details

Full title

The Book of Ballads Eleventh Edition, 1870 Eleventh Edition, 1870

Language

en

Duration

~3 hours (178K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Widger from page scans generously provided by the Internet Archive

Release date

Jan 30, 2014

Rights

Public domain in the USA.

Subjects

About the authors

Sir Theodore Martin

Sir Theodore Martin

1816–1909

A lively Victorian man of letters, he moved with ease between poetry, translation, and biography. He is especially remembered for the witty Bon Gaultier Ballads and for his influential life of Prince Albert.

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William Edmondstoune Aytoun

William Edmondstoune Aytoun

1813–1865

A lively Scottish poet and satirist, he mixed a love of history and ballad tradition with a sharp gift for parody. His writing helped make him one of the best-known literary voices in mid-19th-century Edinburgh.

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