The Bad Boy at Home, and His Experiences in Trying to Become an Editor 1885

audiobook

The Bad Boy at Home, and His Experiences in Trying to Become an Editor 1885

by Metta Victoria Fuller Victor

EN·~1 hours·33 chapters

Chapters

33 total
1

THE BAD BOY AT HOME, - AND HIS EXPERIENCES IN TRYING TO BECOME AN EDITOR. - THE FUNNIEST BOOK OF THE AGE.

0:06
2

By Walter T. Gray

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3

1885. J. S. Ogilvie & Company.

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4

CHAPTER I.

3:33
5

CHAPTER II.

3:46
6

CHAPTER III.

4:07
7

CHAPTER IV.

3:16
8

CHAPTER V.

3:18
9

CHAPTER VI.

3:23
10

CHAPTER VII.

4:34

Description

A roguish young man with a flair for slang and self‑deprecating wit narrates his plunge into the bustling world of a turn‑of‑the‑century newspaper. Fresh from a wild European escapade, he declares his intention to climb the editorial ladder of the “Daily Buster,” promising to make the city roar with his prose. His voice crackles with the humor of a misfit who sees the press as both a playground and a battlefield, and he sets the stage with vivid, tongue‑in‑cheek descriptions of his own ambitions and family expectations.

The story follows his chaotic first shift, where he discovers the dusty office, the eccentric editor, and the clanking “labor‑saving” machines that dominate the newsroom. Through his eyes, the reader hears the clatter of typewriters, the smell of ink, and the absurdities of rookie life among seasoned journalists. His candid observations turn ordinary tasks—sorting papers, handling a peculiar editing tool—into comic episodes that capture the lively spirit of a newspaper on the brink of modernity.

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Details

Full title

The Bad Boy at Home, and His Experiences in Trying to Become an Editor 1885 1885

Language

en

Duration

~1 hours (112K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Widger

Release date

2008-05-02

Rights

Public domain in the USA.

About the author

Metta Victoria Fuller Victor

Metta Victoria Fuller Victor

1831–1885

A prolific 19th-century American writer, she moved easily from sentimental fiction to sensation and mystery. She is now especially remembered for The Dead Letter (1866), a landmark early detective novel in the United States.

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