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THE - ATLANTIC MONTHLY. - A Magazine of Literature, Science, Art, and Politics. - VOL. XVIII.—DECEMBER, 1866.—NO. CX.
JOHN PIERPONT.
MY GARDEN.
BORNEO AND RAJAH BROOKE.
PASSAGES FROM HAWTHORNE'S NOTE-BOOKS. - XII.
KATHARINE MORNE. - PART II. - CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
THE SWORD OF BOLIVAR.
This December 1866 issue offers a vivid cross‑section of American thought at a time of reconstruction and renewal. Readers will wander through poems that celebrate gardens and autumn, travel sketches that carry them from the jungles of Borneo to the bustling streets of Broadway, and essays that examine the political reverberations of recent wars. The collection also includes art and science commentary that reflects the era’s restless curiosity about the world beyond its borders.
A standout feature is the heartfelt remembrance of a beloved elder poet and minister, whose lively spirit and deft pen are recalled through personal letters, anecdotes, and a reflective portrait of his final days. The tribute blends gentle humor with solemn reverence, painting a picture of a man who, even in his eighties, moved with the vigor of a Damascus blade. Interspersed among these memorial pages are shorter works—romantic sketches, historical reflections, and insightful reviews—each adding texture to the magazine’s rich tapestry.
Full title
The Atlantic Monthly, Volume 18, No. 110, December, 1866 A Magazine of Literature, Science, Art, and Politics A Magazine of Literature, Science, Art, and Politics
Language
en
Duration
~7 hours (454K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections)
Release date
2005-12-04
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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