
audiobook
THE ATLANTIC MONTHLY. - A MAGAZINE OF LITERATURE, ART, AND POLITICS. - VOL. X.—DECEMBER, 1862.—NO. LXII. - THE PROCESSION OF THE FLOWERS.
ONE OF MY CLIENTS.
THE CUMBERLAND.
THE FOSSIL MAN.
LIFE IN THE OPEN AIR. - BY THE AUTHOR OF "CECIL DREEME" AND "JOHN BRENT." - KATAHDIN AND THE PENOBSCOT. - CHAPTER X. - RIPOGENUS.
CHAPTER XI. - TOWARD KATAHDIN.
CHAPTER XII. - CAMP KATAHDIN.
CHAPTER XIII. - UP KATAHDIN.
CHAPTER XIV. - HOMEWARD.
CHAPTER XV. - OUT OF THE WOODS.
Inside this December 1862 issue, readers discover a lively blend of essays, poetry, and reportage that captures a nation at a crossroads. The pages juxtapose the urgency of wartime discourse with the timeless allure of art and literature, offering a snapshot of the era’s intellectual pulse. Each piece feels both immediate and enduring.
The lead essay opens with a vivid meditation on blossoms in Cuba and England, tracing how fragile flowers rise, fall, and persist through seasonal change. Through hummingbirds, invisible ants, and the stubborn catkins of the Alder, the writer draws a quiet parallel between nature’s cycles and human longing for continuity. The prose is lyrical yet grounded, inviting listeners to linger on the beauty of ordinary moments.
Beyond the botanical reverie, the magazine features contributions from prominent voices discussing the pressing political struggles of the Civil War, reviews of recent art exhibitions, and short fiction that explores personal moral dilemmas. The variety ensures a rich listening experience, where history, imagination, and observation intersect. Listeners will find both solace and stimulus in this historic compilation.
Full title
The Atlantic Monthly, Volume 10, No. 62, December, 1862 A Magazine of Literature, Art, and Politics A Magazine of Literature, Art, and Politics
Language
en
Duration
~8 hours (478K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-02-01
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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