
audiobook
THE ATLANTIC MONTHLY. - A MAGAZINE OF LITERATURE, ART, AND POLITICS. - VOL. VIII.—SEPTEMBER, 1861.—NO. XLVII. - THE SHAKESPEARE MYSTERY.
THE BATH.
SACCHARISSA MELLASYS. - I. - THE HERO.
II. THE HEROINE.
III. THE SUNNY SOUTH.
MY ODD ADVENTURE WITH JUNIUS BRUTUS BOOTH.
MY OUT-DOOR STUDY.
A SERMON IN A STONE.
AGNES OF SORRENTO. - CHAPTER X. - THE INTERVIEW.
CHAPTER XI. - THE CONFESSIONAL.
In September 1861 the Atlantic Monthly devoted an article to the storm that erupted over a newly published edition of Shakespeare's plays. The piece opens by recalling the jubilant optimism of 1853, when Mr. Collier's 'Notes and Emendations' seemed to settle the text once and for all, only to be met a decade later by scholars demanding a more critical examination. The writer sketches the back-and-forth between American admirers and British critics, each adding its own flavor to the controversy and setting the stage for a larger debate about textual authority.
Readers are guided through the maze of responses—from the British Museum's paleographers to the Edinburgh Review, Fraser's Magazine, and a scathing pamphlet by an anonymous ‘Literary Cookery’ author—each voice adds its own flavor to the dispute. The article also surveys Dr. Mansfield Ingleby's exhaustive, sharply partisan counter‑attack, offering a clear roadmap for anyone wanting to see how a scholarly quarrel can become a public spectacle. By the end of this opening act, listeners will appreciate the intertwined worlds of literary scholarship, national pride, and the stubborn quest for a definitive Shakespeare.
Full title
The Atlantic Monthly, Volume 08, No. 47, September, 1861 A Magazine of Literature, Art, and Politics A Magazine of Literature, Art, and Politics
Language
en
Duration
~8 hours (482K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-02-01
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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