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THE ATLANTIC MONTHLY. - A MAGAZINE OF LITERATURE, ART, AND POLITICS. - VOL. VI.—NOVEMBER, 1860.—NO. XXXVII. - THOMAS HOOD.
STANZAS.
FAYAL AND THE PORTUGUESE.
MIDSUMMER AND MAY. - I.
GONE.
EXPRESSION.
ITALIAN EXPERIENCES IN COLLECTING "OLD MASTERS."
'TENTY SCRAN'.
RECOLLECTIONS OF IRVING. - BY HIS PUBLISHER.
IRENE ANADYOMENE.
A richly detailed portrait brings to life a 19th‑century writer whose wit and melancholy were inseparably entwined. From a frail childhood that forced him from a mercantile apprenticeship to a restorative stay in Scotland, the narrative follows his restless quest for a creative outlet—first in engraving, then in the bustling world of London’s literary magazines. Encounters with figures like Charles Lamb reveal how mentorship and friendship helped shape his distinctive voice, half‑playful, half‑sorrowful.
The essay then traces his evolution from a sub‑editor to an independent author, chronicling a career marked by relentless output despite persistent illness and financial strain. His humor, always tinged with deeper pathos, became a public balm while he bore private hardships that few could see. Listeners will be drawn into the bittersweet rhythm of a man who turned personal tragedy into enduring, heartfelt verse and prose.
Full title
The Atlantic Monthly, Volume 06, No. 37, November, 1860 A Magazine of Literature, Art, and Politics A Magazine of Literature, Art, and Politics
Language
en
Duration
~8 hours (497K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-02-01
Rights
Public domain in the USA.
Subjects
A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.
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