Thamyris : $b or, Is there a future for poetry?

audiobook

Thamyris : $b or, Is there a future for poetry?

by R. C. (Robert Calverley) Trevelyan

EN·~1 hours·9 chapters

Chapters

9 total
1

THAMYRIS

1:49
2

THAMYRIS

0:00
3

CHAPTER I The Muses in Heaven

9:11
4

CHAPTER II The Medium of Spoken Verse

13:35
5

CHAPTER III The Evolution of Technique

15:04
6

CHAPTER IV Poetic Material

18:09
7

CHAPTER V Miscellaneous

12:08
8

CHAPTER VI The Children of Thamyris

7:58
9

Transcriber’s Notes

0:12

Description

In a vivid allegory, the nine Muses descend to Heaven for a celestial recital, their ancient hymns stirring the angelic hosts until tears mingle with the divine chorus. When the archangels request a taste of post‑classical verse, Satan steps in, offering a whirlwind tour of medieval ballads, courtly love, and the stark free‑verse of modern America—only to meet heavenly disapproval as rhythm and rhyme dissolve into plain speech.

Using this mythic encounter as a springboard, the author examines whether poetry is merely fading into prose or undergoing a quiet emancipation from its musical roots. He weighs the loss of traditional meter against the possibilities of new forms, questioning what a future without song might mean for the human spirit. Thought‑provoking and laced with wit, the essay invites listeners to reconsider the role of poetry in an age of rapid change, without ever revealing the ultimate verdict.

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Details

Language

en

Duration

~1 hours (75K characters)

Series

To-day and to-morrow series

Publisher of text edition

Project Gutenberg

Original publisher

United States: E. P. Dutton & Company, 1925.

Credits

Tim Lindell, Krista Zaleski and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

Release date

2023-03-18

Rights

Public domain in the USA.

Subjects

About the author

RC

R. C. (Robert Calverley) Trevelyan

1872–1951

A poet, dramatist, and gifted translator of Greek and Latin, he moved in the orbit of the Bloomsbury Group while quietly building a literary life of his own. His work joined classical learning with a reflective, personal style that still feels distinctive today.

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