Suomalaisen teatterin historia 2 Puhenäyttämön alkuvuodet ja suomalainen ooppera. 1872-79

audiobook

Suomalaisen teatterin historia 2 Puhenäyttämön alkuvuodet ja suomalainen ooppera. 1872-79

by Eliel Aspelin-Haapkylä

FI·~14 hours·12 chapters

Chapters

12 total
1

SUOMALAISEN TEATTERIN HISTORIA II

0:06
2

ELIEL ASPELIN-HAAPKYLÄ

0:04
3

SISÄLLYS:

0:16
4

I.

1:27:52
5

II,

1:56:07
6

III.

1:48:02
7

IV.

2:07:22
8

V.

3:05:39
9

VI.

2:55:42
10

HARDANGERIN HARJULLA

0:04

Description

The book opens with the remarkable moment in spring 1872 when a modest troupe gathered around Kaarlo Bergbom and set the first stones of a Finnish‑language stage. It follows the restless energy of those early months—no summer break, relentless rehearsals, and a diverse cast drawn from teachers, craftsmen and young hopefuls—all eager to turn a hopeful idea into a living institution. By tracing the reactions of skeptics and supporters alike, it shows how the new theater quickly became a rallying point for those craving a distinctly Finnish cultural voice.

From there, the narrative moves season by season, offering vivid snapshots of the people who populated the board, the backstage, and the audiences. Detailed biographies of actors, singers and behind‑the‑scenes staff reveal how personal ambition, patriotism and everyday life intertwined on the boards. The work also touches on the tentative birth of Finnish opera, hinting at the artistic experiments that would shape the nation’s musical stage in the years to come.

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Details

Full title

Suomalaisen teatterin historia 2 Puhenäyttämön alkuvuodet ja suomalainen ooppera. 1872-79 Puhenäyttämön alkuvuodet ja suomalainen ooppera. 1872-79

Language

fi

Duration

~14 hours (848K characters)

Publisher of text edition

Project Gutenberg

Release date

2016-02-08

Rights

Public domain in the USA.

About the author

Eliel Aspelin-Haapkylä

Eliel Aspelin-Haapkylä

1847–1917

A Finnish art historian, critic, and writer, he helped shape how Finland’s art and cultural history were understood around the turn of the 20th century. He is especially remembered for writing extensively about Finnish artists and for his long work in the museum world.

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