
Produced by David Widger
In this compelling essay, the writer dissects the long‑standing practice of theatrical censorship in a democratic society. He points out how the official censor works with swift efficiency, largely supported by a public that prefers comfort over daring ideas. By contrasting the smooth operation of drama censorship with the relative freedom enjoyed by other artistic forms, he asks whether the same protective principle should extend further.
The piece then turns to the flood of books and artworks that challenge conventional morals, questioning whether market forces, press scrutiny, and police oversight are enough safeguards. The author invites listeners to consider how a balance might be struck between protecting sensibilities and preserving creative liberty. As the argument unfolds, the essay offers a nuanced look at the tensions between majority taste and the rights of the outspoken few.
Language
en
Duration
~56 minutes (54K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-09-25
Rights
Public domain in the USA.

1867–1933
Best known for The Forsyte Saga, this English novelist and playwright wrote with sharp sympathy about money, class, and the quiet pressures of family life. His storytelling earned him the 1932 Nobel Prize in Literature.
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