Stories of Symphonic Music A Guide to the Meaning of Important Symphonies, Overtures, and Tone-poems from Beethoven to the Present Day

audiobook

Stories of Symphonic Music A Guide to the Meaning of Important Symphonies, Overtures, and Tone-poems from Beethoven to the Present Day

by Lawrence Gilman

EN·~7 hours·17 chapters

Chapters

17 total

Stories of SYMPHONIC MUSIC

0:23

PREFACE

9:25

THE ORCHESTRA AS POET, PAINTER, AND DRAMATIST

1:22:45

DEBUSSY

2:25:33

MACDOWELL

26:27

RAFF

7:48

RIMSKY-KORSAKOFF

17:46

SAINT-SAËNS

5:17

SCHUMANN

6:12

SIBELIUS

3:34

Description

For anyone who loves the thrill of a live orchestra, this guide offers a straightforward way to step inside the composer’s imagination before the first note sounds. It explains why many works are more than abstract music, revealing the poems, pictures, or historic events that inspired them. By connecting the titles to their underlying stories, listeners can follow the narrative thread woven through the score.

The book surveys the most frequently performed symphonies, overtures and tone‑poems from Beethoven onward, presenting each work’s background in clear, bite‑size entries. It draws on established facts and reliable clues, steering clear of fanciful interpretation while still bringing the original ideas to life. From Debussy’s sea‑scenes to Strauss’s vivid “Tondichtungen,” the entries equip you with just enough context to hear the music with informed curiosity.

Using this companion before a concert or during a recording session transforms passive hearing into an active, imaginative experience. You’ll discover how a single motive can suggest a battle, a sunrise, or a mythic legend, making each performance feel like a story retold in sound. The result is a richer, more engaging listening journey that stays with you long after the final applause.

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Full title

Stories of Symphonic Music A Guide to the Meaning of Important Symphonies, Overtures, and Tone-poems from Beethoven to the Present Day A Guide to the Meaning of Important Symphonies, Overtures, and Tone-poems from Beethoven to the Present Day

Language

en

Duration

~7 hours (423K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Andrés V. Galia, Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2018-04-28

Rights

Public domain in the USA.

About the author

LG

Lawrence Gilman

1878–1939

Best known as a sharp-tongued American music critic, he wrote vividly about opera, orchestral music, and the changing sound of the early 20th century. His reviews could be famously severe, but his books helped many readers find their way into serious music.

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