
audiobook
Madame Robert och hennes vänner.
FÖRSTA TIDSKIFTET. Slutet af år 1847.
Första kapitlet. Messings-kedjan och femfrancs-stycket.
Andra kapitlet. Rue d’Anjou-S:t-Honoré.
Tredje kapitlet. Jardin des Plantes.
Fjerde kapitlet. En tableau vivant.
Femte kapitlet. Bicêtre.
Sjette kapitlet. Spökhuset vid rue S:t-Etienne-des-Grès.
Sjunde kapitlet. Vendôme-platsen.
Åttonde kapitlet. Den maskerade.
Set during the tumultuous spring of 1848, a newcomer to Paris decides to turn his impressions of the city into a novel. He rides in crowded omnibuses, chats with a sharp‑tongued lady, and visits the sprawling Bicêtre workhouse, gathering snippets of everyday life that shimmer with revolutionary energy. The narrative blends detailed travel observations with the author's inner debate about how to portray a society in flux without slipping into dull reportage.
Through cafés, newspapers, and lively street debates, the story paints a vivid picture of a metropolis where art, politics, and poverty intersect. The narrator's witty self‑reflection—the struggle to make his account both informative and entertaining—adds a lively, almost conversational tone that invites listeners into his creative process. By the end of the opening act, the city's restless spirit has been captured, promising further explorations of love, idealism, and the challenges of a changing world.
Full title
Sonen af söder och nord. Förra delen Romantisk skildring från revolutionen i Paris 1848 Romantisk skildring från revolutionen i Paris 1848
Language
sv
Duration
~12 hours (701K characters)
Publisher of text edition
Project Gutenberg
Credits
Eva Eriksson, Robinzoon, Jens Sadowski, and the Online Distributed Proofreading Team at https://www.pgdp.net. This file was produced from images generously made available by The Internet Archive.
Release date
Jul 9, 2021
Rights
Public domain in the USA.

1811–1868
A lively voice in 19th-century Sweden, he wrote novels and plays that captured the energy of Stockholm life while also taking part in public debate and politics.
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