Sir Gawain and the Green Knight: A Middle-English Arthurian Romance Retold in Modern Prose

audiobook

Sir Gawain and the Green Knight: A Middle-English Arthurian Romance Retold in Modern Prose

by Jessie L. (Jessie Laidlay) Weston

EN·~1 hours·8 chapters

Chapters

8 total
1

No. I Sir Gawain and the Green Knight

0:17
2

Preface

7:11
3

I

19:45
4

II

27:16
5

III

33:06
6

IV

22:39
7

Notes

7:38
8

Transcriber’s Notes

0:19

Description

The tale opens in King Arthur’s bustling court, where a mysterious Green Knight rides in demanding a bold game: any knight may strike him, on the condition that the Green Knight will return the blow a year and a day later. Sir Gawain, Arthur’s steadfast nephew, accepts, delivering a quick severed head that astonishingly remains alive, promising a future rendezvous that will test his courage and honor. The scene is vivid with the clash of steel, the hush of the court, and an unsettling mix of chivalry and the supernatural.

Bound by his oath, Gawain sets out on a wintery pilgrimage toward the Green Knight’s distant realm. He finds refuge in a remote lord’s castle, where a gracious lady engages him in a series of courteous yet provocative exchanges, while the host proposes a reciprocal bargain of exchanged winnings. These encounters weave a delicate web of hospitality, temptation, and the looming expectation of the promised return, leaving Gawain to weigh his knightly duty against the subtle trials of his character.

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Details

Language

en

Duration

~1 hours (113K characters)

Series

Arthurian romances unrepresented in Malory's "Morte d'Arthur" no. 1

Publisher of text edition

Project Gutenberg

Original publisher

United Kingdom: David Nutt, 1898.

Credits

Stephen Hutcheson and the Online Distributed Proofreading Team at https://www.pgdp.net

Release date

2021-08-18

Rights

Public domain in the USA.

About the author

JL

Jessie L. (Jessie Laidlay) Weston

1850–1928

A pioneering scholar of Arthurian legend, she helped bring medieval romances and Grail studies to a wider English-speaking audience. Her bold ideas about myth and ritual even shaped the background of T. S. Eliot's The Waste Land.

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