
audiobook
by Edward W. (Edward Woodall) Naylor
Shakespeare and Music - WITH ILLUSTRATIONS FROM THE MUSIC OF THE 16TH AND 17TH CENTURIES - BY - EDWARD W. NAYLOR, M.A., Mus. Bac.
PREFACE
DESCRIPTION OF FRONTISPIECE
INTRODUCTORY
I. Technical Terms and Instruments
II. Musical Education
III. Songs and Singing
IV. Serenades and 'Music'
V. Dances and Dancing
VI. Miscellaneous, including Pythagoreanism and Shakespeare's Account of the More Spiritual Side of Music
This volume explores the rich musical world that surrounded Shakespeare, offering listeners a vivid picture of the instruments, songs, and settings that would have been familiar on the Elizabethan stage. The author weaves together historical notes, illustrated examples of period instruments, and excerpts of original melodies, showing how the playwright’s verses often doubled as lyrics for popular tunes of the day. Readers will discover the modest virginals in Queen Elizabeth’s court, the lively tabor‑pipe that accompanied dancers, and the graceful viols that colored many a scene.
Beyond the catalog of sounds, the book examines how Shakespeare himself referenced music, from courtly dances to bawdy tavern songs, and how his collaborators turned his words into memorable airs. While many original pieces have been lost, the author presents the surviving fragments with modern notation, allowing listeners to hear a taste of the soundscape that inspired the Bard’s drama. The work serves both Shakespeare enthusiasts and music lovers seeking a window into the artistic life of the 16th and 17th centuries.
Language
en
Duration
~4 hours (234K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Newman, Linda Cantoni, and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2006-10-31
Rights
Public domain in the USA.

1867–1934
An English organist, teacher, and composer from a musical family, he built his career around church music and academic life. He is especially remembered for his long association with Emmanuel College, Cambridge, and for works that reflect the rich English choral tradition.
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