
audiobook
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SCIENTIFIC AMERICAN SUPPLEMENT NO. 1178 - NEW YORK, JUNE 25, 1898. - Scientific American Supplement. Vol. XLV., No. 1178. - Scientific American established 1845 - Scientific American Supplement, $5 a year. - Scientific American and Supplement, $7 a year.
THE QUEEN REGENT AND ALFONZO XIII.
THE MILESTONES OF HUMAN PROGRESS.
TOMBS OF THE FIRST EGYPTIAN DYNASTY.1 - By LUDWIG BORCHARDT, Ph.D., Director of the German School in Cairo.
ROSE PSYCHE.
SLEEP AND THE THEORIES OF ITS CAUSE.
AMATEUR CHRONOPHOTOGRAPHIC APPARATUS.
THE RECLAIMING OF OLD RUBBER. - By HAWTHORNE HILL.
ENGINEERING NOTES.
Step into a richly illustrated snapshot of the world at the turn of the century. The 1898 supplement gathers a lively mix of scientific reports, engineering feats and cultural essays—ranging from the discovery of First Dynasty Egyptian tombs to detailed sketches of the Dortmund‑Ems Canal lock, and from an overview of humanity’s slow climb from stone tools to modern industry to practical notes on electricity and steam power. Readers hear the enthusiasm of late‑Victorian scholars as they describe new patents, horticultural varieties and even a chronophotographic camera for amateurs.
Among the most personal pieces is a vivid portrait of Spain’s Queen Regent and her son, King Alfonso XIII, set against the backdrop of the Spanish‑American War. The article portrays her steadfast leadership, charitable work and the careful grooming of the young monarch, while also hinting at the pressures of court life and the nation’s hopes for renewal. Together, these articles offer an engaging, multidimensional portrait of a world racing toward modernity, perfect for listeners who love history, technology and the human stories that bind them.
Language
en
Duration
~3 hours (198K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Juliet Sutherland, Stacy Brown, and the Online Distributed Proofreading Team at www.pgdp.net
Release date
2006-04-27
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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