
Anmerkungen zur Transkription:
Schach von Wuthenow
Erstes Kapitel. Im Salon der Frau von Carayon.
Zweites Kapitel. »Die Weihe der Kraft.«
Drittes Kapitel. Bei Sala Tarone.
Viertes Kapitel. In Tempelhof.
Fünftes Kapitel. Victoire von Carayon an Lisette von Perbandt.
Sechstes Kapitel. Bei Prinz Louis.
Siebentes Kapitel. Ein neuer Gast.
Achtes Kapitel. Schach und Victoire.
In a Berlin evening, the salon of Frau von Carayon becomes a stage for city’s restless elite. A handful of guests linger amidst the heat, drawn together by habit and the promise of conversation. Among them are officers of the Gensdarmes regiment, the charismatic former staff captain von Bülow, and the sober publisher Daniel Sander, each bearing the marks of recent adventures abroad.
The dialogue quickly turns to the Haugwitz mission, a diplomatic effort that promises to reshape Prussian‑French relations and the fate of Hanover. While von Bülow gestures grandly, convinced of his own political insight, Sander offers a cynical counterpoint, and Victoire watches with a mixture of admiration and uncertainty. The evening’s banter reveals a delicate balance of ambition, humor, and underlying tension that defines their social circle.
Listeners are invited to step into this portrait of 19th‑century Berlin, where conversations are as strategic as a game of chess. The story captures the interplay of personal pride and national intrigue, promising a compelling glimpse into a world where every remark may be a move on the board of society.
Full title
Schach von Wuthenow Erzählung aus der Zeit des Regiments Gensdarmes
Language
de
Duration
~4 hours (281K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Jana Srna, Norbert H. Langkau and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
2011-07-30
Rights
Public domain in the USA.

1819–1898
Known for bringing 19th-century Prussia vividly to life, this German novelist and poet wrote with a calm, observant style that still feels fresh. He came to fiction late and produced some of his best-loved novels in the final decades of his life.
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