
RENÉ BOYLESVE - SAINTE-MARIE-DES-FLEURS - ROMAN - PARIS - PAUL OLLENDORFF, ÉDITEUR - 28 bis, RUE DE RICHELIEU, 28 bis - 1897 - Tous droits de traduction et de reproduction réservés pour tous les pays, y compris la Suède et la Norvège. - S'adresser pour traiter, à M. PAUL OLLENDORFF, éditeur, 28 bis, rue de Richelieu, Paris. - IL A ÉTÉ TIRÉ A PART - DIX EXEMPLAIRES SUR PAPIER DE HOLLANDE - NUMÉROTÉS A LA PRESSE
On the sun‑kissed sands of Venice’s Lido, a solitary traveler watches a striking young woman drift past, her every step leaving a fleeting imprint on the wet shore. She moves with a confident, almost defiant air, turning away guides and strangers alike, yet an inexplicable curiosity pulls the narrator toward her again and again. Their brief, wordless encounters bloom into a quiet obsession, the narrator naming her “my little Sainte‑Marie‑des‑Fleurs” as he tries to decipher the mystery behind her aloof smile.
Against a backdrop of glimmering gondolas, burning sunsets and the endless murmur of the lagoon, the story unfolds as a meditation on desire, loneliness, and the way a single encounter can rearrange a heart. The narrator’s reflections are tinged with the lyrical melancholy of a world that feels both timeless and fragile, inviting listeners to wander with him through memory and longing. As the first act closes, the promise of deeper connection lingers like the tide, beckoning the listener toward what may come.
Language
fr
Duration
~6 hours (346K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif, Carlo Traverso and the Online Distributed Proofreading Team at DP Europe (http://dp.rastko.net). This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr
Release date
2006-08-03
Rights
Public domain in the USA.
Subjects

1867–1926
A sharp, observant French novelist and critic, his books often drew on life in Touraine and the small dramas of family and society. Elected to the Académie française in 1918, he became known for graceful, finely detailed portraits of manners and memory.
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