
ROBERT MERRY’S - MUSEUM:
ROBERT MERRY’S MUSEUM.
MERRY’S MUSEUM. VOLUME III.—No. 2.
PETER PARLEY’S NEW STORIES. - No. 1. - The Two Seekers.
MERRY’S MUSEUM. VOLUME III.—No. 3.
PETER PARLEY’S NEW STORIES. - No. II. - About the Three Sisters.
MERRY’S MUSEUM. VOLUME III.—No. 4.
PETER PARLEY’S NEW STORIES. - No. III. - Truth and Falsehood—an Allegory.
MERRY’S MUSEUM. VOLUME III.—No. 5.
PETER PARLEY’S NEW STORIES. - No. IV. - The Garden of Peace.
Inside this 1842 anthology readers travel from the frosty celebrations of New Year's Day to the warm blooms of June, guided by a cheerful narrator who promises both amusement and instruction. Each month opens with a blend of short stories, fables, and scientific notes—tales of a Siberian sable‑hunter, whimsical dialogues between a robin and a lion, and crisp explanations of geological formations. The collection also sprinkles verses, musical scores, and riddles, turning every page into a miniature adventure.
The tone is conversational and encouraging, speaking directly to children while gently reminding them of the value of study and duty. Natural curiosities about New Holland’s flora, the habits of dogs, and the mysteries of the zodiac sit beside moral allegories like the Lion and the Ass, inviting listeners to reflect as they are entertained. Ideal for family listening, the work cultivates curiosity, moral insight, and a love of storytelling without ever sacrificing the light‑hearted charm of its 19th‑century voice.
Language
en
Duration
~20 hours (1167K characters)
Publisher of text edition
Project Gutenberg
Original publisher
Boston: Bradbury & Soden, 1842, copyright 1871.
Credits
Carol Brown, Linda Cantoni, Jude Eylander, Katherine Ward and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2024-02-26
Rights
Public domain in the USA.
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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