Representative Plays by American Dramatists: 1856-1911: The New York Idea

audiobook

Representative Plays by American Dramatists: 1856-1911: The New York Idea

by Langdon Elwyn Mitchell

EN·~3 hours·9 chapters

Chapters

9 total

LANGDON MITCHELL

14:32

LYRIC THEATRE

0:12

Under the Direction of HARRISON GREY FISKE - MRS. FISKE - —AND— - THE MANHATTAN COMPANY - Presenting a Play in Four Acts, Entitled - THE NEW YORK IDEA - BY LANGDON MITCHELL

1:22

THE NEW YORK IDEA - A COMEDY IN FOUR ACTS - By Langdon Mitchell - COPYRIGHT, 1919, BY LANGDON MITCHELL

0:46

THE PEOPLE.

2:52

THE NEW YORK IDEA - ACT I.

1:00:54

ACT II.

48:56

ACT III.

51:48

ACT IV.

30:37

Description

A sharp‑tongued comedy that skewers the self‑congratulatory airs of the upper‑class, the play follows a well‑to‑do family as they navigate the tangled expectations of marriage, divorce and social reputation. The central couple, a witty and restless heroine and her equally clever suitor, spar with each other and with a pompous English gentleman, exposing the hollow rituals that govern their world. Their repartee crackles with a literary flair that feels both distinctly American and oddly timeless.

Through a series of cleverly staged gatherings—dinner parties, legal consultations, and flirtatious encounters—the drama builds a portrait of frivolity that borders on tragedy. The humor is unapologetically sharp, inviting listeners to laugh while reflecting on the superficialities that still echo in contemporary life. It’s a piece that balances biting satire with a subtle undercurrent of humanity, making the dialogue feel as lively today as when it first lit up the New York stage.

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Details

Language

en

Duration

~3 hours (203K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Starner, Diane Monico, and The Online Distributed Proofreading Team at http://www.pgdp.net

Release date

May 23, 2008

Rights

Public domain in the USA.

About the author

Langdon Elwyn Mitchell

Langdon Elwyn Mitchell

1862–1935

A polished Broadway playwright from a distinguished Philadelphia literary family, he built his reputation on smart comedies and stage adaptations that found wide audiences in the early twentieth century. His work helped shape American theater at a moment when social wit and drawing-room drama were especially popular.

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