Punch, or the London Charivari, Volume 99, September 27, 1890

audiobook

Punch, or the London Charivari, Volume 99, September 27, 1890

by Various Authors

EN·~51 minutes·18 chapters

Chapters

18 total

PUNCH, OR THE LONDON CHARIVARI. - Vol. 99.

0:02

September 27, 1890.

0:01

MODERN TYPES. - (By Mr. Punch's Own Type Writer.) - No. XIX.—THE SERVANT OF SOCIETY.

10:22

A PIG IN A POKE.

3:32

MY PRETTY JANE. - (Latest Version.)

1:33

AN INVOCATION. - (By a Town Mouse.)

1:01

MR. PUNCH'S DICTIONARY OF PHRASES. - AT AN AFTERNOON CALL.

0:25

"I'M AFLOAT!" - (NEWCASTLE-ON-TYNE VERSION.)

1:56

OUR BOOKING-OFFICE.

6:34

STALKING THE SAGACIOUS STAG. - Sporting Notes from Our Special Representative.

5:34

Description

A sharply observant satire, this piece sketches a particular breed of Victorian social hanger‑on – the “Servant of Society.” With a dry, sardonic voice it unmasks a man who, from early school days, trades genuine ambition for a polished ability to glide effortlessly along the skirts of the powerful. The essay humorously maps his rise from a school‑boy fag to a well‑styled, self‑satisfied fixture at fashionable gatherings, all while never truly earning the merit he flaunts.

Through witty anecdotes the author reveals the servant’s talent for flippant conversation, feigned humility, and a cultivated cynicism that decorates every polite exchange. He can recommend French novels to curious matrons, lead a cotillon, and pepper discourse with a quasi‑intellectual pepper, yet remains harmless enough to be embraced by aristocrats, artists, and journalists alike. The portrait offers both a laugh and a thoughtful glimpse at the performative nature of status in an age obsessed with appearance.

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Details

Language

en

Duration

~51 minutes (49K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Malcolm Farmer, William Flis and the Online Distributed Proofreading Team.

Release date

2004-05-01

Rights

Public domain in the USA.

About the author

VA

Various Authors

A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.

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