Punch, or the London Charivari, Volume 156, March 26, 1919

audiobook

Punch, or the London Charivari, Volume 156, March 26, 1919

by Various Authors

EN·~1 hours·16 chapters

Chapters

16 total
1

PUNCH, OR THE LONDON CHARIVARI. - Vol. 156.

0:02
2

March 26, 1919.

0:01
3

CHARIVARIA

4:49
4

Another Sex-Problem.

0:09
5

THE PRELIMINARY DOVE: ITS PROSPECTS.

1:34
6

PERFECTLY UNAUTHENTIC ANECDOTES.

4:27
7

Another Impending Apology.

0:15
8

GALLERY PLAY.

9:58
9

MRS. BLOGGINS'S STATEMENT.

3:50
10

TO THE DEATH.

5:25

Description

A snapshot of British life just after the Great War, this edition blends razor‑sharp satire with a lively mix of news, letters and cartoons. From the absurdities of post‑war politics—like a minister promising to electrify railways while swapping old buffers—to the everyday mishaps of commuters and soldiers returning home, the pages capture a nation trying to make sense of peace. The humor darts at everything from the cost of weddings and the rise of the tiny automobile to the quirks of new education laws and the lingering influenza panic. Interspersed with witty observations on international affairs, the issue offers a window onto the concerns and comic relief of 1919 Britain.

Listeners will hear the distinctive voice of a periodical that never shied away from poking fun at authority, using clever wordplay and crisp punchlines. The rapid‑fire format, with brief essays, witty asides, and caricature‑like prose, makes it easy to dip in and out, perfect for a short commute or a coffee break. Expect a delightful blend of satire, cultural commentary, and the kind of British understatement that remains charmingly relevant today.

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Details

Language

en

Duration

~1 hours (73K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Malcolm Farmer, Sandra Brown and the Online Distributed Proofreading Team.

Release date

2004-02-01

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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