Punch, or the London Charivari, Volume 108, February 23, 1895

audiobook

Punch, or the London Charivari, Volume 108, February 23, 1895

by Various Authors

EN·~47 minutes·17 chapters

Chapters

17 total
1

PUNCH, OR THE LONDON CHARIVARI. Volume 108, February 23, 1895. edited by Sir Francis Burnand

0:05
2

THE O. W. VADE MECUM.

2:31
3

TONING IT DOWN.

2:58
4

HARD LINES.

1:11
5

THE UNEMPLOYED.

2:40
6

AN ARTISTIC "FROST."

1:13
7

IN THE CAUSE OF CHARITY.

12:17
8

THE LEARNED WELSH GOAT.

2:53
9

HARD TO (L. C.) C.

2:02
10

THE LEARNED WELSH GOAT.

0:05

Description

A playful interview opens the collection, where a tongue‑in‑cheek Q & A dissects the ingredients of a dramatist—West‑End theatres, a willing audience, and a dash of flamboyant personality. The conversation drifts into the realm of “trivial comedy for serious people,” offering gleeful observations on inverted proverbs, paradoxical dialogue, and the fickle tastes of London’s theatre‑goers. Its brisk wit captures the mercurial spirit of Victorian satire, turning the mechanics of stagecraft into a gentle mock‑lecture for readers who enjoy a good intellectual chuckle.

Beyond the theatrical riff, the volume unfolds a mosaic of short sketches, from a mock‑serious “Purist in English” to exaggerated foreign‑war reports that swap facts with absurdity. These pieces lampoon diplomatic jargon, national stereotypes, and the absurdities of contemporary news, delivering humor that feels both timely and timeless. Listeners will appreciate the rapid-fire variety, where each fragment invites a grin while subtly nudging the audience to question the conventions of society and the press.

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Details

Language

en

Duration

~47 minutes (45K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Punch, or the London Charivari, Lisa Tang, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2014-03-09

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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