Punch, or the London Charivari, Volume 103, December 24, 1892

audiobook

Punch, or the London Charivari, Volume 103, December 24, 1892

by Various Authors

EN·~51 minutes·15 chapters

Chapters

15 total
1

PUNCH, OR THE LONDON CHARIVARI. - VOL. 103.

0:02
2

DECEMBER 24, 1892.

0:13
3

YULE-TIDE—OLD AND NEW. - At the Commencement of the Century.

3:00
4

"ART COMPETITIONS."

5:23
5

THE SHORTEST DAY.

0:56
6

THE LAST WORD - (A Domestic Drama of the Day before Yesterday.)

9:21
7

LAYS OF MODERN HOME. - THE MUFFIN MAN.

1:38
8

MONTECARLOTTERY.

4:13
9

THE MISSING WORD.

0:27
10

QUEER QUERIES.

1:34

Description

Step into a bustling Victorian Christmas party, where merriment collides with the absurdities of turn‑of‑the‑century society. The opening sketches present a tongue‑in‑cheek dialogue between a weary grandfather and his restless grandchildren, mocking the notion that even dreams might forget the holiday. It sets the tone for a lively mix of holiday humor and sly social commentary.

The issue then rolls into a playful “Missing Word” challenge, where a young grandson’s cryptic clue sparks a chorus of failed guesses before the answer—“Christmas”—breaks the gloom, spotlighting the era’s obsession with propriety and change. A satirical ode to art competitions lampoons the Royal Academy’s pretensions, swapping painters for bakers and butchers in a whimsical rhyme. Interspersed are mock advertisements, witty verses on gold, and a hauntingly comic glimpse of a skeleton at a feast, all delivered in Punch’s signature blend of wit, caricature, and sharp observation.

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Details

Language

en

Duration

~51 minutes (49K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by V. L. Simpson, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2007-01-11

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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