Punch, or the London Charivari, Volume 102, June 25, 1892

audiobook

Punch, or the London Charivari, Volume 102, June 25, 1892

by Various Authors

EN·~52 minutes·14 chapters

Chapters

14 total

PUNCH, OR THE LONDON CHARIVARI. - Vol. 102.

0:02

June 25, 1892.

0:00

"VERSAILLES" IN LEICESTER SQUARE. - (Or, the New Ballet at the Empire, as it appears through Mr. Punch's Pince-nez.)

10:04

LADY GAY'S SELECTIONS.

4:30

"CUTS!" OR, WE NEVER SPEAK AS WE PASS BY.

5:46

AN EARL'S COURT IDYL.

4:03

THE PLAYFUL SALLY.

1:36

OPERATIC NOTES.

0:54

GIRLS OF THE PERIOD. - LETTER I.

2:28

"WHEN GREEK MEETS GREEK;" - Or, Manoeuvring for a Hold.

4:40

Description

In this lively installment of a late‑Victorian humor weekly, the pages open on a fanciful parody of a royal ballet staged in London's Leicester Square. Through the imagined lens of a bespectacled Mr. Punch, garden‑workers become frantic choreographers, aristocrats chase partners on tiptoes, and a melancholy vicomte sighs over a childhood betrothal. The narrative bounces between exaggerated courtly rituals—pages that never appear, bouquets used as slapstick props, and a sun‑loving lady who answers the king with shrug‑filled poetry.

The piece thrives on rapid wordplay, mock‑epic descriptions, and a gentle ribbing of both French absolutism and Edwardian pretensions. Listeners will hear the same tongue‑in‑cheek tone that makes Punch a cherished time‑capsule of satire, where every pompous gesture is turned into slapstick comedy. It offers a snapshot of the magazine’s characteristic blend of illustrated farce and witty commentary, perfect for those who enjoy clever, historically tinted humor.

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Details

Language

en

Duration

~52 minutes (50K characters)

Publisher of text edition

Project Gutenberg

Release date

2005-01-20

Rights

Public domain in the USA.

About the author

VA

Various Authors

A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.

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