Punch, or the London Charivari, Volume 101, October 10, 1891

audiobook

Punch, or the London Charivari, Volume 101, October 10, 1891

by Various Authors

EN·~53 minutes·14 chapters

Chapters

14 total
1

PUNCH, OR THE LONDON CHARIVARI. - Vol. 101.

0:02
2

October 10, 1891.

1:22
3

OYSTERS (NOT) FOR EVER!

2:10
4

"SAVE ME FROM MY FRIENDS!"

5:55
5

TEA IN TEN MINUTES. - (A SONG AT A RAILWAY STATION.) - Air—"Thee, Thee, only Thee."

1:48
6

THE TRAVELLING COMPANIONS. - No. X.

9:38
7

STORICULES. - VI.—BUDWELL'S REVENGE.

5:56
8

INTERNATIONAL NURSERY-TALE CONGRESS.

2:32
9

"WHAT WILL HE DO WITH IT?"

3:45
10

MONEY MAKES THE MAN.

3:15

Description

A lively assortment of Victorian wit unfolds in this collection, beginning with a tongue‑in‑cheek tribute to the disappearing zoo apes, where mournful verses turn the tragedy of “Sally” and “George” into a playful lament on humanity’s own folly. The humor continues with a fanciful ode to a would‑be “cyclist centaur,” a parody of futuristic dreams that mixes absurdity with the era’s fascination with new technology.

Interspersed among the poems are sly sketches of everyday concerns—a fishmonger’s crusade for oysters, a parody of bureaucratic squabbles, and a mock parliamentary exchange that lampoons political self‑interest with clever banter. Each piece offers a snapshot of late‑19th‑century London life, delivering satire that feels both specific to its time and surprisingly resonant today. Listeners will enjoy the rhythm of the verses and the vivid, cartoon‑like scenes that bring the period’s social commentary to life.

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Details

Language

en

Duration

~53 minutes (51K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Malcolm Farmer, William Flis, and the Online Distributed Proofreading Team.

Release date

2004-11-09

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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