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SONGS OF THE UN-SENTIMENTALIST. - A DUSTMAN'S SILENT TEAR.
LEAVES FROM A CANDIDATE'S DIARY. - [CONTINUED.]
NOTHING LIKE DISCIPLINE! - (Extract from the Diary of PRIVATE ATKINS, Prince's Company, 4th Battalion, H.M.'s Guzzlebeer Guards.)
SOMEBODY'S LUGGAGE.
MR. PUNCH'S POCKET IBSEN. - (Condensed and Revised Version by Mr. P.'s Own Harmless Ibsenite.) - No. III.—HEDDA GABLER. - ACT II.
CAN A MAN IMPRISON HIS WIFE? - (An Autobiographical Consideration of the Question, by an Eminent Legal Authority.)
OPERATIC NOTES.
HYMEN AND CUPID. - (Fin-de-Siècle Version, some way after Moore.)
A BACONIAN THEORY; - OR, TRYING IT ON.
ROBERT AT THE CHILDREN'S FANCY BALL.
A lively mix of verse, diary musings, and razor‑sharp satire, this volume opens with a mock‑heroic poem about a dustman’s “silent tear,” turning a mundane encounter into a witty commentary on social obligations and petty grievances. The tongue‑in‑cheek tone sets the stage for a glimpse into the bustling world of late‑Victorian London, where even the most humble trades become fodder for clever rhyme.
The heart of the collection shifts to a candid entry from a hopeful parliamentary candidate’s diary, detailing his frantic accumulation of club memberships, charitable subscriptions, and campaign rallies. Readers are drawn into the chaotic whirlwind of political ambition, primrose‑laden processions, and the colorful cast of local figures whose speeches blend earnestness with gentle mockery. Through bright, conversational prose, the work captures the theatricality of election season, the quirks of community life, and the ever‑present undercurrent of satire that both entertains and subtly critiques the era’s social conventions.
Language
en
Duration
~57 minutes (54K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Malcolm Farmer, William Flis, and the PG Online Distributed Proofreading Team.
Release date
2004-11-24
Rights
Public domain in the USA.
This title brings together work by multiple contributors rather than a single writer. “Various authors” is a cataloging label often used for collections, anthologies, and other collaborative books.
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