Punch, or the London Charivari, Vol. 150, March 29, 1916

audiobook

Punch, or the London Charivari, Vol. 150, March 29, 1916

by Various Authors

EN·~1 hours·19 chapters

Chapters

19 total
1

PUNCH, OR THE LONDON CHARIVARI. - Vol. 150.

0:02
2

March 29, 1916.

0:09
3

CHARIVARIA.

3:14
4

FOR THEY ARE JOLLY POOR FELLOWS.

1:31
5

PHILOGAMUS. - (A Socratic Fragment.)

5:28
6

THE SCOTTISH REEL THING AT LAST.

5:13
7

AT THE FRONT.

4:14
8

THE TRUTH ABOUT CINEMALAND.

3:11
9

PARABLES FOR BOSCHES.

0:53
10

ONE OF OUR ALLIES.

4:50

Description

This installment offers a lively glimpse into British life during the height of the First World War, as presented by the legendary humor magazine that has been skewering politics and society for decades. The March 1916 issue blends sharp commentary on the war effort with the absurdities of everyday life, delivering jokes that range from tongue‑in‑cheek observations about military uniforms to playful musings on garden potatoes and wandering birds. Listeners will hear the characteristic wit that both comforts and provokes, reflecting a nation trying to keep its spirits afloat amid hardship.

Among the pieces, a sardonic report on German East Africa’s silk industry sits beside a telegram about Admiral Tirpitz, while a mock‑courtroom lament about horses falling asleep while walking adds a whimsical touch. The magazine also lampoons academic pretensions, targeting Oxford and Cambridge scholars who shirk service, and pokes fun at bureaucratic quirks such as ticket prices for Kew Gardens. All of this is delivered in the style that made Punch a staple of British households, offering listeners a snapshot of humor that helped a country endure a year.

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Details

Language

en

Duration

~1 hours (63K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2007-09-20

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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