Punch or the London Charivari, Vol. 147, October 7, 1914

audiobook

Punch or the London Charivari, Vol. 147, October 7, 1914

by Various Authors

EN·~1 hours·32 chapters

Chapters

32 total
1

PUNCH,OR THE LONDON CHARIVARI. - VOL. 147.

0:02
2

October 7, 1914.

0:01
3

CHARIVARIA.

3:27
4

EPITHETS FOR ACTORS.

0:53
5

A Coincidence.

0:26
6

ANOTHER "SCRAP OF PAPER."

2:00
7

UNWRITTEN LETTERS TO THE KAISER.

4:22
8

How to be Useful in War Time.

0:11
9

THE INCORRIGIBLES.

0:28
10

THE LAST LINE.

6:16

Description

This volume captures a snapshot of early‑war Britain through the razor‑sharp lens of a beloved weekly that turned current events into comic relief. Satirical pieces lampoon the headlines of October 1914, from absurd German “cultural” policies to the everyday absurdities of rationing, public opinion and the home front’s peculiar heroics. The humor is delivered with a dry, self‑aware tone that lets listeners hear the same chuckles that rang through London tea rooms as the world tilted toward conflict.

Interspersed with mock‑epithets for stage stars, tongue‑in‑cheek “epigrams” and brief sketches that parody political speeches, the collection feels both a product of its day and a timeless reminder of how satire can soften harsh realities. Its brisk, vivid prose invites you to picture the bustling streets, the bustling press rooms, and the everyday Briton making light of grim news. The result is an entertaining, historically rich listening experience that offers a window onto the wit that helped a nation endure the early days of war.

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Details

Language

en

Duration

~1 hours (69K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Neville Allen, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2009-02-15

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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