Punch, or the London Charivari, Vol. 108, March 16, 1895

audiobook

Punch, or the London Charivari, Vol. 108, March 16, 1895

by Various Authors

EN·~43 minutes·9 chapters

Chapters

9 total
1

PUNCH, OR THE LONDON CHARIVARI. Volume 108, March 16, 1895. edited by Sir Francis Burnand

0:24
2

THE ADVANTAGE OF BEING CONSISTENT.

9:33
3

IN THE COURT OF COMMON SENSE (LATE PLEAS).

4:39
4

TALL TALES OF SPORT AND ADVENTURE.

7:35
5

SILENT!

4:02
6

SILENT!

0:11
7

BAIL UP!

1:11
8

OUR BOOKING-OFFICE.

4:29
9

ESSENCE OF PARLIAMENT.

11:48

Description

A lively snapshot of Victorian humor, this volume captures the cheeky spirit of a beloved weekly that delighted readers with sharp wit and gentle mockery. Its pages brim with quick sketches that poke fun at everyday foibles, from the well‑meaning but hapless husband whose incessant sneezing becomes a source of unexpected amusement to the absurdities of club life and genteel society. The tone remains light‑hearted, inviting listeners to relish the clever wordplay and the subtle satire that underpins each vignette.

Among the standout pieces is a bustling dialogue set in a members’ smoking‑room, where reform‑obsessed gentlemen trade exaggerated betting schemes and exchange ludicrous wagers on everything from tea‑cozies to carbonated mines. A brief, lyrical poem follows, celebrating spring’s arrival with playful references to love, nature, and the comforting sip of quinine‑tonic. Together, these excerpts offer a charming glimpse into the era’s social quirks, making the collection a perfect listen for anyone who enjoys clever repartee and timeless British humor.

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Details

Language

en

Duration

~43 minutes (42K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Punch, or the London Charivari, Malcolm Farmer, Lesley Halamek and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2014-04-11

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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