Punch, or the London Charivari, Vol. 107, July 28th 1894

audiobook

Punch, or the London Charivari, Vol. 107, July 28th 1894

by Various Authors

EN·~54 minutes·27 chapters

Chapters

27 total
1

PUNCH, OR THE LONDON CHARIVARI. - Vol. 107.

0:02
2

July 28, 1894.

0:00
3

LORD ORMONT'S MATE AND MATEY'S AMINTA.

3:42
4

A VADE MECUM FOR THE NAVAL MANŒUVRES.

1:27
5

A PAINFUL POSITION.

1:03
6

GUESSES AT GOODWOOD.

2:08
7

THE APPLE OF DISCORD.

2:28
8

A BALLADE OF THREE VOLUMES.

1:12
9

LYRE AND LANCET.

12:12
10

"EVICTED TENANTS."

3:05

Description

A delightfully chaotic slice of Victorian satire, this episode plunges listeners into a riotous schoolroom where the headmaster's absurd inventions set the tone for a parade of exaggerated characters. From the puff‑ball boys in frock‑coats to the ever‑blustering Shalders, the prose twirls with playful nonsense, turning even the simplest schoolyard squabble into a theatrical spectacle. The language sparkles with the same wit that once filled the pages of the famous British humor magazine, offering a lively backdrop for the drama about to unfold.

At the heart of the commotion is Lord Ormont, a dashing cavalry officer whose reputation ripples through the corridors, and Lady Charlotte, a sharp‑tongued lady scheming to secure a tutor for her grandson. Enter Matey, the nervous secretary caught between flirtatious invitations, a mysterious aunt named Aminta, and the looming suspicion of a secret marriage that threatens to upend their arrangements. Their witty exchanges and tangled motives promise a comic tangle of social intrigue, all set before the story reaches its first turning point.

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Details

Language

en

Duration

~54 minutes (52K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Malcolm Farmer, Ernest Schaal, and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2012-08-15

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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