
BOOKS BY JAMES HUNEKER
I. PAUL CÉZANNE - II. ROPS THE ETCHER - III. MONTICELLI - IV. RODIN - V. EUGÈNE CARRIÈRE - VI. DEGAS - VII. BOTTICELLI - VIII. SIX SPANIARDS: - "EL GRECO" - "VELASQUEZ" - GOYA - FORTUNY - SOROLLA - ZULOAGA - IX. CHARDIN - X. BLACK AND WHITE: - PIRANESI - MERYON - JOHN MARTIN - ZORN - BRANGWYN - DAUMIER - LALANNE - LEGRAND - GUYS - XI. IMPRESSIONISM: - MONET - RENOIR - MANET - XII. A NEW STUDY OF WATTEAU - XIII. GAUGUIN AND TOULOUSE-LAUTREC - XIV. LITERATURE AND ART - XV. MUSEUM PROMENADES: - PICTURES AT THE HAGUE - THE MESDAG MUSEUM - HALS OF HAARLEM - PICTURES IN AMSTERDAM - ART IN ANTWERP - MUSEUMS OF BRUSSELS - BRUGES THE BEAUTIFUL - THE MOREAU MUSEUM - PICTURES IN MADRID - EL GRECO AT TOLEDO - VELASQUEZ IN THE PRADO - CODA - PROMENADES OF AN IMPRESSIONIST - I. PAUL CÉZANNE
PROMENADES
PAUL CÉZANNE
II. ROPS THE ETCHER - I
II
III. MONTICELLI - I
II
IV. RODIN - I
V. EUGÈNE CARRIÈRE
A lively tour through the chaotic world of early‑20th‑century French art opens the book, as the author wanders the Paris Autumn Salon and watches tradition collide with rebellion. He captures the clash between stubborn academic masters and a daring new generation of painters, describing canvases that splash color and defiance across the walls. Listeners will feel the buzz of students tearing down conventions and sense that something fresh is about to explode.
The focus then narrows to Paul Cézanne, presented as the unexpected monarch of this upheaval. By comparing his disciplined yet bold approach to the flamboyant antics of Manet, Monet, Degas and others, the essay sketches how the old guard’s influence lingers even as a new wave reshapes taste. It also hints at the inevitable cycles of revolt that keep Parisian salons in perpetual motion, inviting listeners to contemplate how art evolves amid conflict.
Language
en
Duration
~10 hours (576K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-08-26
Rights
Public domain in the USA.

1857–1921
A lively American critic who helped introduce readers to modern music, art, books, and theater, he wrote with flair and strong opinions. His work made European cultural movements feel vivid and immediate to U.S. audiences at the turn of the twentieth century.
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by James Huneker

by James Huneker

by James Huneker

by James Huneker

by James Huneker

by James Huneker

by James Huneker