
“Extraordinarily interesting.... He is erudite and he is intelligent; he makes the courageous attempt to be at the same time scientific and psychological; and he has the great advantage of having at his disposal a knowledge of semantics. His terms are clear, useful, and conveniently few.”— *The Nation*.
PREFACE
CHAPTER I The Chaos of Critical Theories
CHAPTER II The Phantom Æsthetic State
CHAPTER III The Language of Criticism
CHAPTER IV Communication and the Artist
CHAPTER V The Critics’ Concern with Value
CHAPTER VI Value as an Ultimate Idea
CHAPTER VII A Psychological Theory of Value
CHAPTER VIII Art and Morals
This work offers a concise yet ambitious guide to thinking about art and literature, marrying scientific method with a psychological lens. Its author unpacks complex ideas in clear, sparingly chosen terms, making the material accessible without sacrificing depth. Readers encounter a fresh perspective on criticism that aims to clarify both artistic practice and everyday experience. Early praise notes its entertaining style that avoids the dryness typical of technical treatises.
Spanning topics from the tangled history of critical theories to the language that shapes them, the book delves into value, emotion, memory, and the mechanics of poetry, painting, sculpture, and music. Chapters explore how artists communicate, the role of the poet’s inner experience, and the psychological underpinnings of aesthetic judgment. By weaving together cross‑references and interdisciplinary examples, the author shows how each discipline illuminates the others. The result is a thought‑provoking toolkit for anyone keen to deepen their appreciation of the arts.
Language
en
Duration
~8 hours (500K characters)
Release date
2024-06-14
Rights
Public domain in the USA.

1893–1979
A pioneering literary critic and teacher, he helped change the way modern readers approach poetry by emphasizing close, attentive reading. His ideas about language, meaning, and interpretation shaped literary study far beyond his own time.
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