
audiobook
by A. C. (Andrew Cecil) Bradley
Poetry For Poetry's Sake
Poetry - For Poetry's Sake
AN INAUGURAL LECTURE - DELIVERED ON JUNE 5, 1901 - BY - A. C. BRADLEY, M.A., LL.D. - PROFESSOR OF POETRY IN THE UNIVERSITY OF OXFORD - FORMERLY FELLOW OF BALLIOL COLLEGE
OXFORD - AT THE CLARENDON PRESS - 1901
POETRY FOR POETRY'S SAKE
A distinguished professor returns to the university that shaped his career, delivering an inaugural lecture that blends personal reflection with scholarly ambition. He notes the recent founding of a School of English, a development he welcomes as a sign of growing respect for literary study, and hints at future talks aimed specifically at its students. The address sets the stage for a thoughtful examination of poetry’s place within academic life.
Focusing on the timeless phrase “poetry for poetry’s sake,” the speaker seeks to define poetry by its own internal qualities—meter, language, and the succession of sensory experiences that compose a poem. He promises to untangle common misunderstandings of the slogan and to explore a single, concrete problem that illustrates his view of poetry as an art that exists independent of external purpose. Listeners can expect a clear, measured discussion that celebrates the intrinsic beauty of verse while grounding it in the realities of teaching and criticism.
Full title
Poetry for Poetry's Sake An Inaugural Lecture Delivered on June 5, 1901 An Inaugural Lecture Delivered on June 5, 1901
Language
en
Duration
~49 minutes (47K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by K. Nordquist, Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2008-01-15
Rights
Public domain in the USA.

1851–1935
Best known for turning Shakespeare criticism into gripping reading, this influential British scholar helped generations of readers see tragic heroes as vividly human. His classic lectures, especially on Hamlet, Othello, King Lear, and Macbeth, remained widely read long after they were first delivered.
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