
THE OPERA.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
A lively, turn‑of‑the‑century snapshot captures the bustling world behind the velvet curtains, where singers, patrons, and debutantes mingle in a theatre that is as much a social arena as a musical one. With a sharp, humorous eye, the narrator sketches the flamboyant tenor, the poised contralto, the aristocratic ladies who display their daughters like prized ornaments, and the seasoned gentlemen whose moustaches and lorgnettes signal status. The prose treats the opera as a mirror reflecting the customs, ambitions, and quirks of a society that prizes spectacle as much as song.
The work balances satire with affection, refusing to condemn the art form while gently exposing its excesses and pretensions. Readers are invited to wander through the backstage corridors, hear whispered gossip, and glimpse the everyday rituals that give the opera its enduring allure. It feels like a witty guide to a world where music, fashion, and ambition dance together beneath the chandeliers.
Language
en
Duration
~1 hours (107K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
Apr 4, 2010
Rights
Public domain in the USA.
Subjects
d. 1891
A sharp-tongued observer of 19th-century opera, this little-known writer is remembered for a witty, satirical look at singers, backstage habits, and the social world around the stage. The surviving record is thin, but the book itself gives a lively sense of a clever and amused musical insider.
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