Phyllis of Philistia

audiobook

Phyllis of Philistia

by Frank Frankfort Moore

EN·~5 hours·24 chapters

Chapters

24 total
1

PHYLLIS OF PHILISTIA - By Frank Frankfort Moore

0:03
2

CHAPTER I. - AN ASTRONOMER WITHOUT A TELESCOPE.

9:01
3

CHAPTER II.

11:47
4

CHAPTER III.

13:58
5

CHAPTER IV. - SHE HAD NO RIGHT TO ACCUSE HIM OF READING THE BIBLE DAILY.

9:49
6

CHAPTER V. - IN LOVE THERE ARE NO GOOD-BYES.

13:52
7

CHAPTER VI.

15:40
8

CHAPTER VII. - THE DEFENSE OF HOLLAND.

12:58
9

CHAPTER VIII. - I HOPE THAT YOU WILL NOT EVENTUALLY MARRY AN INFIDEL.

13:21
10

CHAPTER IX. - MY FATHER HAS HIS IDEAS ON WHAT’S CALLED REALISM.

25:07

Description

Phyllis lives in a world where her father's love of clever phrases clashes with her own fierce devotion to faith and the people she admires. When her lover, a scholar named George Holland, begins to challenge the biblical patriarchs, the family dinner table erupts into a heated debate about history, morality, and the very purpose of marriage. Through Phyllis’s sharp wit and her father's bemused sarcasm, listeners glimpse a spirited young woman grappling with love, loyalty, and the weight of ancient texts.

The tension builds as Phyllis prepares to meet George, aware that his controversial theories could tear apart more than just scholarly reputations. The novel invites you into a lively Victorian salon, where ideas are as volatile as emotions, and where Phyllis must decide whether to defend her heart, her faith, or both. It’s a compelling mix of intellectual sparring and personal drama, setting the stage for choices that will shape her future.

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Details

Language

en

Duration

~5 hours (290K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Dagny; John Bickers and David Widger

Release date

2006-03-26

Rights

Public domain in the USA.

Subjects

About the author

Frank Frankfort Moore

Frank Frankfort Moore

1855–1931

A prolific Irish journalist and storyteller, he moved easily between novels, plays, poems, and criticism, building a wide readership in the late Victorian and Edwardian years. His fiction often drew on Irish history and politics while keeping a strong feel for popular storytelling.

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