A Gray Eye or So. In Three Volumes—Volume III

audiobook

A Gray Eye or So. In Three Volumes—Volume III

by Frank Frankfort Moore

EN·~3 hours·20 chapters

Chapters

20 total

CHAPTER XXXVIII.—ON A KNOWLEDGE OF THE WORLD.

8:45

CHAPTER XXXIX.—ON CONSCIENCE AND THE RING.

10:46

CHAPTER XL.—ON SOCIETY AND THE SEAL.

10:21

CHAPTER XLI.—ON DRY CHAMPAGNE AND A CRISIS.

12:37

CHAPTER XLII.—ON THE RING AND THE LOOK.

9:19

CHAPTER XLIII.—ON THE SON OF APHRODITE.

8:37

CHAPTER XLIV.—ON THE SHORTCOMINGS OF A SYSTEM.

8:53

CHAPTER XLV.—ON MOONLIGHT AND MORALS. - |SHE was his.

8:48

CHAPTER XLVI.—ON A BED OF LOGS.

10:00

CHAPTER XLVII.—ON THE PLEASURES OF MEMORY.

14:39

Description

Harold Wynne returns home pale and restless, his mind haunted by sleepless thoughts of a world he believes he has already seen. In a trembling moment of raw emotion, he asks his beloved Beatrice to bind their love with a secret marriage, insisting that the ceremony must happen now, even though they cannot yet share a home. Their exchange crackles with devotion, tears, and a desperate need for a bond that can survive any external force.

Beyond the intimate chamber, the novel widens its scope, following Harold as he navigates the bustling streets of Piccadilly and the intrigues of the theatre world. Encounters with figures such as the pragmatic Mr. Playdell and the enigmatic Archie Brown hint at larger conflicts that will test the couple’s trust and the very truths Harold claims to understand. The story blends passionate romance with philosophical questioning, setting the stage for a journey where love must confront both personal doubt and the bewildering complexities of a changing society.

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Details

Language

en

Duration

~3 hours (194K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Widger from page images generously provided by the Internet Archive

Release date

2016-05-02

Rights

Public domain in the USA.

About the author

Frank Frankfort Moore

Frank Frankfort Moore

1855–1931

A prolific Irish journalist and storyteller, he moved easily between novels, plays, poems, and criticism, building a wide readership in the late Victorian and Edwardian years. His fiction often drew on Irish history and politics while keeping a strong feel for popular storytelling.

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