Fanny's First Novel

audiobook

Fanny's First Novel

by Frank Frankfort Moore

EN·~8 hours·37 chapters

Chapters

37 total

FANNY'S FIRST NOVEL - By Frank Frankfort Moore. - Author of “The Jessamy Bride,” “A Nest of Linnets,” “I Forbid the 'Banns,” Etc. - London: Hutchinson & Co. Paternoster Row, E. C. - 1913

0:12

FANNY'S FIRST NOVEL

0:01

CHAPTER I

15:05

CHAPTER II

8:02

CHAPTER III

14:00

CHAPTER IV

16:28

CHAPTER V

9:35

CHAPTER VI

9:01

CHAPTER VII

12:49

CHAPTER VIII

14:54

Description

In a modest London home off Leicester Fields, the Burney family gathers around breakfast while debating the ever‑present sway of Mr. Garrick, the charismatic theatre impresario whose productions seem to fill the town like an invisible perfume. Mrs. Burney worries that his flamboyant spirit is pulling her children away from their ordinary chores, while Dr. Burney watches the newspaper with a bemused smile and Lieutenant James offers a wry, supportive grin. Their conversations reveal a household caught between respectable domesticity and the alluring promise of a world staged beyond their front door.

At the center of this tension sits young Fanny, a diligent but restless seamstress whose needlework has grown careless under the weight of imagined applause. The whispered winks and theatrical talk ignite in her a curiosity that soon blossoms into a quiet ambition to capture stories of her own making. As the family debates the merits of Mr. Garrick’s influence, Fanny’s mind drifts toward the pages she might fill, hinting at the first steps of a literary adventure that could reshape her modest life.

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Details

Language

en

Duration

~8 hours (472K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Widger from page images generously provided by the Internet Archive

Release date

2016-05-01

Rights

Public domain in the USA.

About the author

Frank Frankfort Moore

Frank Frankfort Moore

1855–1931

A prolific Irish journalist and storyteller, he moved easily between novels, plays, poems, and criticism, building a wide readership in the late Victorian and Edwardian years. His fiction often drew on Irish history and politics while keeping a strong feel for popular storytelling.

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