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TOME I - CONTE POUR COMMENCER GAIEMENT L'ANNÉE
CRAINQUEBILLE
CLOPINEL
ROUPART
ALLOCUTIONS
ALLOCUTION PRONONCÉE A LA FÊTE D'INAUGURATION DES NOUVEAUX LOCAUX DES «SOIRÉES OUVRIÈRES» DE MONTREUIL-SOUS-BOIS
ALLOCUTION PRONONCÉE A LA FÊTE EN L'HONNEUR DE DIDEROT AMI DU PEUPLE
ALLOCUTION PRONONCÉE A LA FÊTE D'INAUGURATION DE L'«ÉMANCIPATRICE», IMPRIMERIE COMMUNISTE, LE 12 MAI 1901.
ALLOCUTION PRONONCÉE AU FESTIVAL ORGANISÉ EN L'HONNEUR DE VICTOR HUGO PAR LA SOCIÉTÉ DES UNIVERSITÉS POPULAIRES ET LES UNIVERSITÉS POPULAIRES DE PARIS ET DE LA BANLIEUE, SALLE DU TROCADÉRO, LE DIMANCHE 2 MARS 1902.
In a brisk, early‑twentieth‑century setting, a publisher summons a writer to craft a short tale for a New Year’s issue, urging him to address the riches with a “living” story that smells of aristocracy. Their dialogue quickly turns into a lively debate on the nature of charity, justice and the uneasy dance between wealth and poverty. The writer argues that pity is a thin veil for self‑interest, insisting that genuine equity must replace token almsgiving, while the publisher worries about pleasing his affluent readership.
The exchange spirals into a sharp satire that exposes how systemic aid can perpetuate inequality, likening generosity to a poisoned gift that benefits the giver more than the receiver. Through witty repartee and vivid metaphors, the piece invites listeners to reconsider the economics of compassion and to question whether merely “supporting” the poor sustains the very imbalance it pretends to heal.
Language
fr
Duration
~4 hours (266K characters)
Publisher of text edition
Project Gutenberg
Release date
2006-09-11
Rights
Public domain in the USA.

1844–1924
A witty, skeptical voice of French literature, he turned elegance and irony into some of the most admired books of his time. Best known as a novelist, critic, and public intellectual, he won the 1921 Nobel Prize in Literature.
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by Anatole France

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