
audiobook
ON THE ART OF WRITING
ON THE ART OF WRITING
BY
LECTURE - I INAUGURAL - II THE PRACTICE OF WRITING - III ON THE DIFFERENCE BETWEEN VERSE AND PROSE - IV ON THE CAPITAL DIFFICULTY OF VERSE - V INTERLUDE: ON JARGON - VI ON THE CAPITAL DIFFICULTY OF PROSE - VII SOME PRINCIPLES REAFFIRMED - VIII ON THE LINEAGE OF ENGLISH LITERATURE (I) - IX ON THE LINEAGE OF ENGLISH LITERATURE (II) - X ENGLISH LITERATURE IN OUR UNIVERSITIES (I) - XI ENGLISH LITERATURE IN OUR UNIVERSITIES (II) - XII ON STYLE - INDEX - LECTURE I. - INAUGURAL
LECTURE II. - THE PRACTICE OF WRITING.
LECTURE III. - ON THE DIFFERENCE BETWEEN VERSE AND PROSE
LECTURE IV. - ON THE CAPITAL DIFFICULTY OF VERSE
LECTURE V. - INTERLUDE: ON JARGON
MR LAMOND IN BEETHOVEN
BURKE.
These lectures, first delivered at Cambridge in the early 1910s, offer a candid look at what it means to treat writing as a living craft rather than a rigid science. The speaker weaves together personal anecdotes, literary history, and sharp observations on the challenges of both verse and prose, inviting listeners to see language as a dynamic tool for expression.
Throughout the series he explores the delicate balance between tradition and innovation, urging writers to respect the great masters while daring to improve upon them. Topics such as the pitfalls of jargon, the subtleties of style, and the role of literature in university curricula are examined with humor and occasional provocation.
Listeners will come away with a clearer sense of the practical habits that shape good writing, as well as a renewed appreciation for the ongoing conversation between past and present that defines the art itself.
Full title
On the Art of Writing Lectures delivered in the University of Cambridge 1913-1914 Lectures delivered in the University of Cambridge 1913-1914
Language
en
Duration
~6 hours (373K characters)
Publisher of text edition
Project Gutenberg
Release date
2006-01-05
Rights
Public domain in the USA.

1863–1944
Best known by the pen name “Q,” this Cornish writer helped shape generations of readers through his fiction, criticism, and classic poetry anthologies. His work ranges from lively adventure stories to influential reflections on how literature should be read and enjoyed.
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