
Chapter X of the original book contained a diagram of a tattoo, and another diagram appeared in Chapter XX. Text has been added to substitute for these diagrams. - TRUE TILDA
Transcriber's note: This was one of the most enjoyable e-texts that I
CHAPTER I - AT THE SIGN OF THE GOOD SAMARITAN
CHAPTER II - HOW TRUE TILDA CAME TO DOLOROUS GARD
CHAPTER III - A KIDNAPPING
CHAPTER IV - IN WHICH CHILDE ARTHUR LOSES ONE MOTHER AND GAINS ANOTHER.
CHAPTER V - TEMPORARY EMBARRASSMENTS OF A THESPIAN.
CHAPTER VI. - MR. MORTIMER'S ADVENTURE.
CHAPTER VII. - IN WHICH MR. HUCKS TAKES A HAND.
CHAPTER VIII. - FLIGHT.
In this gritty tale the action unfolds inside a cramped hospital ward where nine‑year‑old Tilda, a street‑wise performer’s child, keeps watch over a feverish woman lying on a thin mattress. The narrative is rendered in an authentic working‑class slang that throws the listener straight into the clatter of a London past, complete with apostrophes and dialect that feel as raw as the street dust Tilda remembers. Tilda’s sharp mind and habit of reciting the same odd rhyme—“I love my love with a H’aitch”—add a whimsical, uncanny flavor to the otherwise stark setting.
When the sick woman finally stirs, a cold hand reaches toward the child, and a name—Arthur— slips out of delirium, hinting at mystery that reaches beyond the ward’s yellow‑soap walls. The story balances the grim reality of disease with the supernatural tug of old folk beliefs, while Tilda clings to the distant hum of a steam‑organ that seems to guide her. Listeners will find a compelling mix of humor, dread, and authentic period voice that makes every breath of the hospital feel both oppressive and oddly alive.
Language
en
Duration
~8 hours (496K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-05-01
Rights
Public domain in the USA.

1863–1944
Best known by the pen name “Q,” this Cornish writer brought both adventure and literary wisdom to generations of readers. He wrote novels and stories steeped in the sea and the West Country, and later became one of England’s most influential anthologists and critics.
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