
ONHORSE-BREAKING
PREFACE.——♦——
CHAPTER I.METHOD OF HALTERING A COLT.
CHAPTER I.METHOD OF HALTERING A COLT.
CHAPTER II.LONGEING THE COLT.
CHAPTER II.LONGEING THE COLT.
CHAPTER III.SADDLING THE COLT.
CHAPTER III.SADDLING THE COLT.
CHAPTER IV.TEACHING THE COLT HIS PACES.
CHAPTER IV.TEACHING THE COLT HIS PACES.
A practical handbook for anyone who works with young horses, this guide sets out to replace the age‑old, rough‑handed customs of horse‑breaking with clear, humane techniques. Written in a straightforward style, it walks the reader through each step, from the first encounter in the pasture to the calm introduction of a halter. The author’s aim is to help owners and grooms achieve steadier, more trusting animals while also increasing their market value.
The opening chapter illustrates the problem vividly: a colt is wrestled into a stable by a crowd of men, each using force that only frightens and scars the animal. Through a vivid anecdote, the writer shows how such brutality creates a lifelong nervous or aggressive horse. He then proposes a quieter, gentler method—leading the colt with a calm companion and speaking in low tones—demonstrating that patience, not violence, yields a cooperative animal.
Farmers and stable hands will find the step‑by‑step instructions both reassuring and actionable, making the book a useful companion for anyone looking to break in colts responsibly. Its emphasis on kindness and clear communication promises healthier horses and smoother training sessions, all explained in an accessible, no‑nonsense voice.
Language
en
Duration
~2 hours (123K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: Longmans, Green, and Co., 1877.
Credits
deaurider, David Wilson and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Aug 15, 2023
Rights
Public domain in the USA.
Subjects

Remembered for a lively comic style and a career that moved from stage acting into radio and film, he became a familiar face in British entertainment in the 1940s and 1950s. His best-known work includes comedy performances that left a mark despite a career cut short.
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