
audiobook
This etext was prepared by John Mamoun with
POEM FRONTISPIECE TRANSLATOR'S NOTE ON CONDUCTING APPENDIX A APPENDIX B APPENDIX C APPENDIX D - POEM FRONTISPIECE
MOTTO NACH GOETHE:
TRANSLATOR'S NOTE.
ON CONDUCTING
FINIS - APPENDIX. - APPENDIX A.
APPENDIX B.
APPENDIX C.
APPENDIX D.
In this compact treatise, a seasoned composer steps out of the podium to share what he has learned about directing an orchestra. He writes not as a theorist but as a practitioner, addressing instrumentalists and singers alike about the subtle choices that shape a performance. The text offers a clear look at the basics of style, tempo, and expression, aiming to help musicians recognize when a conductor truly serves the music.
Wagner also turns a critical eye toward the condition of German orchestras, arguing that many shortcomings stem from outdated conducting practices. He recounts memories of veteran capellmeisters whose strict, disciplined leadership produced solid, fiery results, contrasting them with newer directors who often lack firmness. Through these observations, the author sketches practical advice for aligning an ensemble’s makeup and rehearsal habits with the demands of modern repertoire.
Language
en
Duration
~2 hours (155K characters)
Publisher of text edition
Project Gutenberg
Release date
2003-10-01
Rights
Public domain in the USA.
Subjects

1813–1883
A towering and controversial figure in 19th-century music, this German composer reshaped opera into sweeping music dramas filled with myth, passion, and bold orchestral color. His works still define the grand scale of Romantic opera, from the Ring cycle to Tristan und Isolde and Parsifal.
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