Of the Decorative Illustration of Books Old and New 3rd ed.

Born from a series of lectures delivered to the Society of Arts in 1889, this study surveys the evolution of decorative illustration from early printed volumes to the vibrant productions of the early twentieth century. The author draws a clear line between pure pictorial storytelling and the ornamental treatment that frames a page, showing how the most successful books blend the two arts. Readers are guided through a carefully chosen selection of printed examples, many reproduced from the blocks of leading presses, to illustrate the principles that govern harmonious design.

Beyond historical surveys, the work highlights the revival of lettering, illumination, and hand‑crafted printing taught in art schools, naming several contemporary artisans who exemplify the renewed craft. By linking the legacy of medieval scribes with modern designers, the book offers both scholars and practising illustrators practical insight into how texture, typography, and illustration can work together. It serves as a concise reference for anyone interested in the visual language that makes a book more than just words.