'Of Genius', in The Occasional Paper, and Preface to The Creation

audiobook

'Of Genius', in The Occasional Paper, and Preface to The Creation

by Aaron Hill

EN·~1 hours·7 chapters

Chapters

7 total
1

Series Four

0:00
2

Men, Manners and Critics

0:01
3

No. 2

1:10
4

INTRODUCTION

13:51
5

OF GENIUS.

43:39
6

THE CREATION. A Pindaric Illustration OF A POEM, Originally written by MOSES, On That SUBJECT. WITH A PREFACE to Mr. POPE, CONCERNING The Sublimity of the Ancient HEBREW POETRY, and a material and obvious Defect in the ENGLISH. LONDON: Printed for T. BICKERTON, at the Crown in Pater-noster-Row. M. DCC. XX. Price One Shilling.

0:20
7

PREFACE to MR. POPE

32:56

Description

An energetic Augustan essay, this work treats “genius” less as a mysterious spark and more as a blend of innate talent and disciplined study. Its author argues that true ability—whether in the mechanical trades or the fine arts—flourishes when judgment and common sense are cultivated through proper education. By foregrounding the role of conscious effort, the piece offers a practical guide for nurturing one’s natural gifts.

Beyond its instructional tone, the essay celebrates the striking variety of human temperaments, suggesting that each person is born with a specific bent toward a particular vocation. While acknowledging that favorable circumstances can amplify a talent, it insists that fundamental aptitudes cannot be reshaped into entirely new capacities. This early 18th‑century perspective hints at the later Romantic fascination with originality, yet remains rooted in a worldview that sees individual differences as part of a divinely ordered social body.

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Details

Language

en

Duration

~1 hours (88K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Starner, Sankar Viswanathan and the Online Distributed Proofreading Team at https://www.pgdp.net.

Release date

2005-05-20

Rights

Public domain in the USA.

About the author

AH

Aaron Hill

1685–1750

A restless and ambitious figure in early 18th-century London, this English dramatist and essayist moved between the worlds of theater, poetry, and literary debate. His best-known successes included stage adaptations that helped bring Continental drama to English audiences.

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