
Note sur la transcription: Les erreurs clairement introduites par le typographe ont été corrigées. L'orthographe d'origine a été conservée et n'a pas été harmonisée.
ŒUVRES DE P. CORNEILLE TOME VI
PERTHARITE ROI DES LOMBARDS TRAGÉDIE 1652
NOTICE.
AU LECTEUR.
ANTOINE DU VERDIER, Livre IV de ses Diverses leçons, chapitre XII.
ERYCUS PUTEANUS, Historiæ barbaricæ, libro II, numero 15.
EXAMEN.
LISTE DES ÉDITIONS QUI ONT ÉTÉ COLLATIONNÉES POUR LES VARIANTES DE PERTHARITE. - ÉDITIONS SÉPARÉES.
RECUEILS.
This volume brings together a restored edition of a lesser‑known tragedy by a leading figure of French classicism, presented with meticulous typographic corrections and original spelling preserved. The text is accompanied by an extensive scholarly apparatus: variant readings, explanatory notes, a lexicon of unusual words, and a facsimile portrait. Readers also gain insight from a detailed notice that clarifies the play’s disputed premiere date and its early reception.
The drama unfolds in Lombardy, where a proud king confronts familial betrayals and political intrigue, setting the stage for moral dilemmas that echo the author's later reflections on art and age. Contemporary commentary, including a candid “to the reader” preface, reveals the playwright’s moment of doubt after the play’s lukewarm applause, hinting at his contemplated retirement. Together, the play and its contextual material offer a rare glimpse into the creative tensions of the mid‑1640s and enrich any lover of early modern theatre.
Language
fr
Duration
~13 hours (781K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Hélène de Mink, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
Mar 26, 2015
Rights
Public domain in the USA.

1606–1684
A towering figure of 17th-century French theater, this playwright helped shape classical tragedy with dramas driven by honor, duty, and impossible choices. Best known for Le Cid, he wrote works that stayed central to the French stage for centuries.
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