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ŒUVRES COMPLÈTES DE GUY DE MAUPASSANT
PREMIÈRE PARTIE. I
II
III
IV
DEUXIÈME PARTIE. I
II
III
IV
The story opens in a lofty, sun‑lit atelier where the late‑afternoon sky pours a brilliant blue through a high window, casting fleeting shafts of light across canvases, gilt frames and dust‑laden fabrics. The air is heavy with the scent of turpentine, tobacco smoke and the faint murmur of distant Paris, while swallows dart past the open shutters. In this hushed sanctuary, time seems to slow, allowing every brushstroke and lingering cigarette to assume a weight of its own. The scene feels both grand and intimate, a quiet stage set for the artist’s inner drama.
Olivier Bertin, a celebrated painter now entering his later years, reclines on a divan, his gaze drifting toward the heavens as he searches for a fresh subject. Though his reputation rests on historic triumphs and polished elegance, he wrestles with a restless uncertainty, unsure which direction his creative spirit should take. The narrative hints at the tension between his celebrated past and the elusive inspiration he craves, promising a delicate exploration of artistic pride, doubt, and the fleeting nature of brilliance.
Language
fr
Duration
~8 hours (464K characters)
Publisher of text edition
Project Gutenberg
Original publisher
France: Louis Conard, 1908.
Credits
Claudine Corbasson and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2023-07-12
Rights
Public domain in the USA.

1850–1893
Best known as one of the great masters of the short story, he captured ordinary lives with sharp realism, dark humor, and an eye for how quickly hope can turn into disappointment. His fiction ranges from social satire to psychological unease, which helps explain why stories like "Boule de Suif" and "The Horla" still feel vivid today.
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