
Nota de editor: Devido à existência de erros tipográficos neste texto, foram tomadas várias decisões quanto à versão final. Em caso de dúvida, a grafia foi mantida de acordo com o original. No final deste livro encontrará a lista de erros corrigidos.
O PRIMO BAZILIO
A quiet summer afternoon lingers in a sun‑dappled dining room, where the hum of flies and the soft rustle of curtains set a languid rhythm. Luiza, draped in a delicate farm‑style robe, reads the newspaper while a handful of ruby‑set rings catch the light, and her husband Jorge, a weary mining engineer, sighs over the looming journey to the austere Alemtejo. Their conversation drifts between the comforts of home—old family portraits, weathered copper pans, and the scent of melted sugar—and the restless pull of duty that will soon carry Jorge far from the familiar walls.
The scene is steeped in nostalgia, echoing memories of childhood meals, a mother’s careful hand in decorating the house, and a life measured by modest pleasures. As Jorge rolls a cigarette and watches the ceiling, the heat outside seems to compress the present, hinting at the inner tension between his impending departure and the tender domestic world he is reluctant to leave behind.
Language
pt
Duration
~12 hours (717K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Rita Farinha, Alberto Manuel Brandão Simões and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by National Library of Portugal (Biblioteca Nacional de Portugal).)
Release date
2013-06-13
Rights
Public domain in the USA.
Subjects

1845–1900
A sharp, witty voice of Portuguese realism, he turned novels into lively portraits of society, hypocrisy, and ambition. His stories still feel fresh for the way they mix elegance, irony, and a very human eye for weakness.
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